Thursday, May 31, 2007

Podcast: Il Messia

The latest Jesus Film Podcast is now available. This month it's Roberto Rossellini's Il Messia. This is partly because I'm going to see Rossellini's other Bible film Atti Degli Apostoli in a couple of weeks but mainly because Il Messia itself will be showing in a few weeks. I've already mentioned the details of these screenings and tickets can be bought from the BFI.

Il Messia is the most obscure film I've discussed thus far, but has always been one of my favourite Jesus films. Preparing this has only increased my appreciation for it.

There are six other talks available to download from this podcast. They are Jesus of Nazareth, Il Vangelo Secondo Matteo (The Gospel According to St. Matthew), The Greatest Story Ever Told, Jesus of Montreal, Jesus Christ Superstar and The Miracle Maker.

Tuesday, May 29, 2007

Mark Goodacre Reviews a New Book on Mel Gibson's Passion

Mark Goodacre has reviewed one of the many books about The Passion of the Christ for the latest Review of Biblical Literature. Like the majority of the other books released about this film thus far, "Mel Gibson's Passion: The Film, the Controversy, and Its Implications", is a collection of individual essays by a range of authors. This one, however, is a little different as twelve of the twenty chapters appeared in the special spring 2005 edition of the Shofar journal. Shofar's editor Zev Garber has also drawn in eight new articles, and ensured that each chapter has discussion questions.

More than once, I've heard Mark warn against the use of polemic so his extensive criticisms of this volume deserve to be taken seriously. The body of the review comes under two headings: Inaccuracies; and Overstatement and Hyperbole. In both sections there is little that could really be argued with, and assuming these are correct then this is fairly damning. There are a couple of points on which Goodacre praises the book, but even then it is fairly faint ("Within this framework the collection makes a valuable contribution to the debate", "in strongly revoicing some of the academy's concerns...it has some success" - italics mine).

It's disappointing to see yet another book about The Passion which is so one sided. There are already a score of books from church leaders lavishing praise on the film, or from academics damning it. Few step into the middle ground, or place essays by those in favour of the film next to those against it. Goodacre is one of the few academics who have discussed the film's pros as well as its cons so he is perhaps best suited to fight the cause for a more balanced discussion of the film. (See his essay "The Passion, Pornography and Polemic", an expanded version of which featured in the book "Jesus and Mel Gibson's The Passion of the Christ").

See also my review of "(Perspectives) On the Passion of the Christ".

Monday, May 28, 2007

Promo Video for Animated The Ten Commandments

Speaking of Peter Chattaway, he has also dug out a featurette for the new animated version of The Ten Commandments due for release later this year as part of the series.

As featurettes go, particularly for animated films, it's well done. There's footage of all four of the main actors (Ben Kingsley, Elliot Gould, Christian Slater and Alfred Molina) in recording, and few soundbites from them - Slater in particular, presumably because he'll play Moses. There are also some shots from the film (including the one captured above).

A few interesting points raised by the video. It's interesting that they opted to record the voices in the same way as The Miracle Maker, i.e. by trying to get the actors all together when they did the recording. They seem to be well versed on recent animated Bible films, there's also mention of The Prince of Egypt (Slater noting that this film goes beyond the parting of the sea). Also mentioned is DeMille's film. One of the talking heads mentions how you can't ignore The Ten Commandments (1956 version presumably) when filming this story.

Curiously though, they seem to have ignored the existence of some of the other live action versions of the Moses story. Several of those interviewed mention how this film will be different because it will portray a more human Moses. Whilst it's not surprising that they miss the fact that 1975's Moses the Lawgiver did just this, it's a strange thing to say when one of the film's stars, Ben Kingsley, also gave us a very human portrayal in the 1996 Moses. ABC's The Ten Commandments (2006) also attempted this, although it's likely that recording for this project was completed before this aired.

More Previews for Not the Messiah

Monty Python fans will no doubt be anticipating the June premier of Eric Idle's Life of Brian oratorio Not the Messiah.

I mentioned a few articles on this project in March, notably those by Playbill, Variety and The Globe and Mail. Peter Chattaway has just linked to another article on it in The Toronto Star. This in turn led me to track down a new article in The Globe and the Mail - an interview with Eric IDle (left in the picture).

Friday, May 25, 2007

How Can I Improve my Writing? Part 2.

Last Friday I started this two part series on ways to improve writing skills, and explained how I came to be asking this question, threw it open for answers, and took a brief look at some recent posts on the subject. This time I want to post my top ten ways to improve writing skills. Like all skills, it's part natural, but part down to practise and hard work.

I've still got a long way to go to improve my writing, but a key aspect in that improvement is knowing how to go about doing it. So the following are a few things I've picked up. Some of these I'm good at: some of these less so. But in case they're useful for others, I thought I'd post them. Some apply more to aspiring film writers; others are more relevant to those doing more academic writing; others are more universal.

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Top Ten ways to Improve your Writing

1 - Read
The best way to grasp what makes good writing is to be immersed in it. Aside from trashy novels, the majority of books that have been published will be reasonably well written, and so by reading frequently the good will outweigh the bad and improve your familiarity with written English.

It's also worth finding writers who you realise are particularly good at expressing themselves in print (or on the internet) and reading as much of their work as you can. There are a range of writers, from very different fields who I admire, be it Ebert, Yancey, Goodacre, Reinhartz, or Wright to name but a few. It will be different for everyone. Usually, the reason that these particular authors stand out in our minds is because their writing is not only correct, but it is also clear, vibrant and well crafted. The most obvious marker can be how easy it is to follow their arguments relative to the complexity of their subject.

For some, this is natural, for others it is a commitment to the kind of hard work that produces just the right word or nice turn of phrase. Reading a lot of those top writers will mean that at least some of it will rub off on you. This is one of those areas I need to work on more.

2 - Learn about Grammar
I must admit my grammar is a weak point, but in recent months I've started to be deliberate about improving it. Whilst it's a mistake to think that good grammar is all that's required for good writing it's certainly an important building block. In popular writing there may be the odd, very notable exception, but in academic writing it's even more black and white. If you can't write well your work won't be taken seriously, no matter how good your ideas are.

I've read a couple of books on this recently. Brian Phythian and Albert Rowe's "Teach Yourself : Correct English" is a good, balanced overview of the technical aspects of the English language. Conversely, John Humphrys' "Lost for Words" is more impassioned plea to stop the mangling of the English language (as well as a call for better English). Between them they provide the know-how and the impetus to change.
I've also just received a copy of "Eats Shoots and Leaves" by Lynne Truss which comes highly recommended, as something between the two. Another book which I'm thinking of reading of is Constance Hale's Sin and Syntax which seems to deal with both grammar and style.

3 - Enjoy it

Writing is not well paid enough to choose it as a career (unless you're happy to write about Posh Spice's latest fashion purchase), so most of us do it because we enjoy communicating our ideas. It doesn't always seem that way, particularly in academic writing, or if you have an impending deadline, but it's something you cannot afford to forget. Once you lose your enjoyment of it, it becomes a chore, you don't give yourself to it fully and your quality drops. This can turn into a vicious circle, so take time to remind yourself of why you want to communicate your ideas.

4 - Write for different contexts
Aside from discussion forums, most of my writing has taken place on this blog. However, I've discovered that writing for other audiences has generally improved my writing. It's obvious that the more stringent standards of academic writing will prove stretching, but I've also discovered that the opposite is true. From the start of this year I've also been reviewing films for the rejesus blog. My brief is clear: write for a broad audience.

What's been surprising, though, has been the way that this has improved my writing. I've had to be much more careful about the words I've used. It's prevented me from retreating into the shadows of overly long words safe in the knowledge that my audience is intelligent enough to grasp what I'm saying. Having to work under this particular spotlight has forced me to find greater clarity in what I say.

Many writers, particularly in academic contexts, would do well to take this on board. I've gradually come to realise that often the reason I don't really get what a particular writer is saying is not necessarily because I'm stupid, but because they're not explaining themselves very well. I'm partway through a book at the moment where this is particularly apparent because the book is a collection of essays by different authors. I won't name it, but some chapters are full of unnecessarily complicated words, overly long sentences and poorly expressed ideas.

I do wonder if sometimes this kind of book is the worst for this kind of thing as the various authors, feeling the pressure of their work standing side by side with that of their peers, try to compensate by being verbose.

5 - Know your audience
It's an easy mistake to make, but you need always to have your audience in mind when you write. It may help to keep in mind as you write one or two people who typify that audience and imagine whether they would understand what you have written and how they would react to it.

6 - Write more often
Stretching yourself generally results in getting better at the things you are trying. One of the reasons I started this blog was to give me the discipline of writing more frequently. It was the latest in a series of steps to increase the rate at which I wrote. Just as practising anything more frequently results in getting better at it, writing more often will generally improve your skills.

Of course it's possible to go too far. Quantity can certainly be detrimental to quality, especially if you get writing fatigue. The risks of that, however, are probably overstated. I've noticed that whilst there might be an initial drop in quality, after a while the quality improves again, and often goes far higher as skills that were hard to master at first become second nature.

7 - Stretch yourself
I guess this is taking the principle behind 3 and 4 and applying them elsewhere. It may be writing in a more stringent context, or about a more difficult or challenging subject than usual, or with greater length, or more succinctly.

8 - Seek feedback
I hate seeking feedback, but I force myself to be receptive to it whenever it is offered, because it's the best way to learn – at least in small doses. It's tough, particularly if you're as insecure as I am, but it is the only way to find out about your hidden weaknesses.

9 - Read it through
He says, aware that he's got about 5 minutes left to post this and he should have stopped ages ago!

On a more serious note, I'm always surprised how repeatedly reading something through, (particularly if you also have to reduce your number of words) drastically improves it. Somehow the third or fourth time around the flaws become far more annoying, and you have fresh ideas for how to improve things.

10 - Spell check
Mainly one for bloggers, but this is all too common, and rarely excusable. At the very least you can copy things into Word or equivalent. If you find that too annoying then you may appreciate the Mozilla inline dictionary which underlines in red any errors (like word) only it does it in browser windows.

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I'm fearful in posting this up that all the mistakes will be laid bare, and that's probably fair enough. Hopefully though some will find at least part of it useful.

Wednesday, May 23, 2007

Moses the Lawgiver on Region 2 DVD

I discovered on Monday that Lew Grade's 1975 series Moses the Lawgiver was released on Region 2 DVD back in March of this year.

It's difficult to know for certain whether this is the full version. At 300 minutes it should contain most of the series (it's certainly not the 141 minute cut that gained a cinematic release), but the IMDb lists it as lasting for 360 minutes so a few cuts may have been made.

It's been a while since I have seen this, but I recall it being one of the more challenging films about the life of Moses.

I'll be reviewing this release shortly.

Acts of the Apostles (1957 - Living Bible ) Episodes 5 and 6

Way back in November, I started reviewing the Acts of the Apostles episodes of The Living Bible (1957). It's a ten part series, but I'd only got as far as episode four. Now I'm gearing up to see Roberto Rossellini's Atti Degli Apostoli, so I'm trying to watch / re-watch some of Rossellini's films and finishing looking at this series, so here are some comments on episodes 5 and 6.
Episode 5 – God’s Care of His Own
The Church in Antioch (Acts 11:19-21)
Apostles send Barnabas to Anitoch (Acts 11:22-24)
Barnabas brings Paul from Tarsus (Acts 11:25-26)
Agabus prophecies famine (Acts 11:27-28)
Collection for Jerusalem (Acts 11:29-30)
Death of James (Acts 12:1-2)
Peter’s Escape from Prison (Acts 12:3-17)
Herod punishes the guards (Acts 12:18-19)
Herod dies (Acts 12:19-23)
(Romans 8:35, 37-39)

Episode 6 - Every Christian a Missionary
Pentecost (Acts 2:22-36, 41)
Crippled Beggar Healed (Acts 3:1-26)
Peter and John before the Sanhedrin (Acts 4:1-22)
Trial of Stephen (Acts 7:1-57)
Philip and the Ethiopian Eunuch (Acts 8:26-40)
Ananias and Saul (Acts 9:10-16)
Paul preaches in Damascus (Acts 9:20-22)
Peter and Cornelius (Acts 10:1-48)
Barnabas collects Paul from Tarsus (Acts 11:25-26)
Church in Antioch (Acts 11:19-30)
Paul and Barnabas sent out (Acts 13:1-3)
Great Commission (Acts 1:8)
Notes
These two episodes contrast quite strongly. The first continues the general trajectory of the first four episodes - dramatising the book of Acts in roughly the order it appears. Episode 6, however, is something of an excursus: it focuses on the issue of mission as presented in the book of Acts as a means towards convincing it's audience that they too should be missionary minded. Hence this episode is a whistle stop tour of the various episodes in which the apostles evangelise boldly. It's actually surprising how much of the book of Acts is covered in this one 15 minute episode.

Episode 6 ends with the words of Jesus accompanied by a close up of his face. Interestingly, the actor playing Jesus is Nelson Leigh, who played Jesus in the earlier Life of Jesus episodes of The Living Bible. Leigh must have been available as well. He stars in this series as St. Paul, which is strangely distracting. No wonder Paul says that our bodies will be transformed to "be like his glorious body" (Phil 3:21). Perhaps the 5-6 year gap between the "Acts" and "Jesus" series finally rendered him too old to play Jesus: he would have been 52 at the time. That said HB Warner was the exact same age (52) when he played Jesus in The King of Kings.

Episode 5 ends with Paul and Barnabas going off to Jerusalem to deliver the gift from the church in Antioch, but despite the story relocating to Jerusalem, we never actually see Paul and Barnabas arrive. This lack of clarity reflects that of the biblical text whereby Paul and Barnabas are sent to deliver the gift to Jerusalem at the end of Acts 11, but are not heard of until the start of Acts 13 when they re-appear in Antioch. There are two major options. Either Saul and Barnabas's trip was a relatively short and low key affair, or that statement gives a brief advance headline which explains that which follows in more detail over the next few chapters.

It's a minor point, but Acts describes Herod's death as being in a public context, whereas the film shows this occurring in a private context. The death of Herod, which is described in fairly grisly terms, describes the event as being instantaneous, whereas the film merely narrates that Herod dies.

There are some additional points about these episodes in my post on Galatians vs Acts in Film.