Arts and Faith Top 100 Reviews

Back in March I mentioned the 2010 Arts and Faith Top 100 films. Over the last few months, the folks at Image Journal, who host Arts and Faith these days have been busily getting members of the forum to produce reviews of all 100 films, and these have now all been posted.

As I mentioned back then, most of the Bible films on the list have been culled leaving only four (three of which are modernisations), but you can view their reviews at the following links:

#10 - The Gospel According to St. Matthew (Il vangelo secondo Matteo) - Steven D. Greydanus

#22 - A Serious Man - Michelle R. King and Andrew Spitznas

#88 - Jesus of Montreal (Jésus de Montréal) - Peter T. Chattaway

#92 - Son of Man (Jezile) - Tyler Petty

Thanks to the Image staff for putting the list together, and to the authors named above for their contributions.

Refelctions on Jesus Film Sessions at Regents Theological College

I was privileged to take a couple of sessions on Jesus films at Regents Theological College yesterday. I'd been invited by Richard Hasnip (star of the The Follower and The King) as parts of Regents' Performing Arts Track, which includes an entire module on Jesus in Film.

I was lecturing on Last Temptation of Christ and Jesus of Montreal, with 40 minutes on each. The technical set up was surprisingly quick and easy, and, a couple of minor things aside, that bit went fairly smoothly. I'm still trying to work out the best way of combining clips with PowerPoint, especially if the clips are from Region 1 DVDs. I'm not sure that what I did yesterday - flicking between a DVD player for the clips and a laptop for the notes - will really ever work that well, unless the clips start at the beginning of a chapter. Next time I think I'll either rip, trim and embed in PowerPoint (though my ancient version of PowerPoint can't really handle this that well), or perhaps look more closely at VLC and see if it's possible to utilise a more precise playlist or something.

Anyway... I was fairly pleased with how the session themselves went, particularly given the various computer nightmares I'd been having in the days running up to the event. It was a great group: friendly, interested, plenty of insightful questions and (surprisingly) the majority had seen more than 10 foreign language films.

There were a few notable observations. Firstly, someone asked me whether I thought that the alien sequence in Life of Brian was an obscure reference to Jesus' temptation because of the way the Jesus figure falls and is swept up by angels/aliens. It's an interesting theory, not least because I'm never really sure what that moment is about (aside from a nod to the then recent and hugely successful Star Wars), but my hunch is not. In honesty, it's too early to tell. At the very least I'll have to watch if before I can decide.

The other observation that stood out was from Last Temptation. According to one of the class, the filmmakers made it look like you can actually see Dafoe's hand underneath his skin as he pulls out his heart. I'm not sure I have a high enough definition TV/projector to be able to see this, but again, next time I'm watching I'll certainly keep an eye out for it. Incidentally, I also owe that man an apology. At one point I said that Last Temptation was an 18 certificate, which of course it was at it's time of release (and is on my VHS copy. He challenged me on it saying he thought it was a 15, but being the big-head I am I stuck to my guns. However, it wasn't long before I started to get the odd nagging doubt - after all I have the region 1 Criterion Collection disc for this film, not the UK version - and, alas, when I checked out the DVD cover on Amazon it appears that the DVD release has been downgraded to a 15. So, on the off chance you're reading this this morning, sorry!

The first session overran, even despite cutting down on quite a lot of what I had to say, but that seemed to work out for the best. Far more of them were familiar with Last Temptation than were with Jesus of Montreal, and whilst the latter film is fascinating in it's own right, I don't think it's as insightful or as interesting as Scorsese' with respect to cinematic portrayals of Jesus. It was a shame, though, that I only got to show one clip from Montreal. Having written my notes, prepared my slides and produced some notes for the session, it would be nice to have the opportunity to revisit these talks, not least to be able to tighten the content and delivery.

I may at some point record some of this session and put it on the podcast, though it's probably unlikely to happen until next year now. Obviously I'll post news of that here if I ever gat around to it.

Jesus of Montreal DVD on Offer

Even though the price of DVDs has dropped dramatically over the last couple of years, rare / foreign films still tend to be fairly pricey. So I'm keen to let readers know whenever there's a bargain.

Jesus of Montreal is currently on sale at Amazon
for £6.97, which in turn has driven the marketplace price down to between three and four pounds. That's no consolation to those of you in the US now that there are two dollars in the pound again.

But this is the enhanced widescreen version, rather than the other, awful, region 2 disc which just looks like someone's copied it from their VHS copy. The only advantage of that DVD is the packaging which is an improvement on this one as pictured above. I believe this is the only widescreen version of this film available, but at the moment I can't be sure.

Podcast: Jesus of Montreal

This month I'm discussing Denis Arcand's Jésus de Montréal (Jesus of Montreal). The film tells the story of an actor who gets the role of Jesus in a play, and begins to find his real life becomming more and more like the one he is portraying.

My three previous entries in this podcast are all still available to download: Jesus of Nazareth, Il Vangelo Secondo Matteo (The Gospel According to St. Matthew), and The Greatest Story Ever Told

Top 100 Spiritually Significant Films (2006)

Members of the Arts and Faith Discussion Forum have just announced our third incarnation of their list of the Top 100 Spiritually Significant Films.

Many thanks to Alan Thomas of Movies Matter for collating nominations, devising and executing the voting procedure, determining final positions, and creating the excellent webpage version of the list, replete with a myriad of images and links.

Sadly the number of films I've seen on the list drops each year, such that I've only seen 47 of the films thus far. There are a number I have lined up to see, which should at least see me into the fifties, but until I sign up for online DVD rental I'm going to struggle to make much headway.

There are a number of Bible Films on the list. Surprisingly, The Miracle Maker turned in at number three closely followed by Pasolini's Il Vangelo Secondo Matteo. One of the interesting things about re-doing the list annually is that it churns it over bringing fresh and surprising films to the surface, which then gain a wider audience amongst the group, often resulting in a particular film taking a number of years to stabilise. For example last year's number 1, the excellent Dardenne brothers' film Rosetta has slipped to number 33, which is perhaps a little more realistic. I suspect The Miracle Maker will fare similarly next year. As much as I love it, it didn't really deserve quite such a lofty position, and it is unlikely to achieve it again.

Other bible films on the list are Jesus of Nazareth (#18), Jesus of Montreal (#19), The Passion of the Christ (#20), Last Temptation of Christ (#63), The Gospel of John (#64) and Peter and Paul (#80). It's noticeable that there are no Old Testament Films (not even The Ten Commandments!), and that Peter and Paul is the only Roman Christian / Later New Testament film, and the lowest placed of all the bible films. That makes a total of 8 Bible films, and strangely there are 3 places where there are two bible films next to each other. The number one film on the list is Carl Dreyer's Ordet (pictured at the top), which is listed in Kinnard and Davis's "Divine Images", but is not really a Jesus film per se.

It's good to see Peter Weir re-appear on the list as well. He had more films on the 2004 list than practically any other director, but then none of his films made the cut last year. The film I would love to see on the list that hasn't made it is Field of Dreams. I reviewed it last year in a bid to get it on their, but alas, my colleagues don't seem to share my high opinion of it!

Top Ten Jesus Films

Peter T Chattaway has just had his list of Top Ten Jesus Films published by Christianity Today. We chatted a bit about the subject a while back and I've been meaning to post my list for a while. Peter's films are:

The Life and Passion of Jesus Christ (1902-05)
The King of Kings (1927)
The Gospel According to St. Matthew (1964)
The Greatest Story Ever Told (1965)
Godspell (1973)
The Messiah (1976)
Jesus of Nazareth (1977)
Jesus (1999)
The Miracle Maker (2000)
The Passion of the Christ (2004)

Since Peter has now had his list published, and, as this is the last major post before Good Friday I thought it was probably about time I posted mine up as well. We actually agree on 6, although I'd be happy to swap 2 of those 6 for 2 on my list of honourable mentions further below. However, here are my Tope Ten Jesus films in chronological order:

From the Manger to the Cross (1912)
More of a film than The Life and Passion of Jesus Christ, more natural and genuine than DeMille's The King of Kings, This film, for me, stands out as the best Jesus film of the silent era. Controversial in it's day, for its very existence, (not to mention its ommission of the resurrection), Sidney Olcott's film has a quiet dignity about it, which is best captured by turning off the overbearing sountrack which was added later. The film was re-issued with a resurrection scene in 1916 as Jesus of Nazareth, and under that title again in 1932 with sound.

Golgotha (1935)
Golgotha was the first Jesus talkie, and set a high standard for those that were to follow> originally released as Ecce Homo. Julien Duvivier's use of the camera was way ahead of his time and he manages to capture the miraculous events in Jesus's last week as if they were the most natural thing in the world.
My review

King of Kings (1961)
The first Hollywood film about Jesus since the end of the silent era 34 years earlier. King of Kings remains enjoyable even though behind the scenes power stuggles destroyed the films promise. The Sermon on the Mount scene is still wonderful though, even if elsewhere Jesus is squeezed out of the film by the zealots.
My review

Il Vangelo Secondo Matteo (1964 - The Gospel According to St. Matthew)
Widely considered the masterpiece of the genre, at least among film critics, Pasolini's neo-realist style gave us a Jesus of the people, who delivers his pithy sayings with revolutionary urgency. The camera work draws the viewer into the story more, whilst the use of ordinary people cuts through the gloss of so many Jesus films both before and afterwards.

Il Messia (1975 - The Messiah)
The Godfather of neo-realism was Roberto Rossellini who ended his career with this film. Like Pasolini's film, Rossellini depicts a peasant Jesus, who continues his carpentry even as he teaches, and whose followers pass on his message at the same time he does. Of all the versions of Jesus in film this one perhaps focusses the most on his teaching. The film is also unusual for it's opening scenes from the time of Samuel.

Jesus of Nazareth (1977)
One of my least favourite films in this list, and yet where would the genre be without it? In many people's eyes the definitive film Jesus, and a favourite amongst the faithful, Zefferelli does so much very well. Sadly, his leading character is dreary, and the film drags on without a charismatic compelling lead. That said the other performaces are wonderful and the period detail is impressive.


Last Temptation of Christ (1988)
A mixture of the good, the bad, and the dull. In parts Scorsese's film soars breathing new life into the character of Jesus and challenging the viewer about their cosy pre-conceptions. In other places though the film, is just bizarre and has offended many, whilst still other places seem to drag. For those looking for fresh insights and who like to judge films on their merits there is plenty to be mined here. For those who find whole films are spoiled by particular sections stay away, particularly if you are easily offended.
My review

Jesus (1999)
Jesus explores similar territory to Last Temptation, but in a safer more palatable form. Sisto's performance has many strengths, but it slightly spoilt by a few too many scenes of of him goofing around. That said the early scenes are particularly strong. Much of it is speculation, but certainly such that is within reason. It's also one of the few films to clarify that that it was the Romans, not the Jewish leaders that were in charge in Jerusalem in Jesus's time.

The Miracle Maker (1999)
The claymation version of Jesus's life is one of the genre's highs. Whilst clearly less arty than Pasolini's film, it is theologically, and historically strong, and surprisingly moving for a stop motion film. Ralph Fiennes does an excellent job as the voice of Jesus, and Murray Watts's scripts is excellent but the most credit must go to the team of animators who produced a wonderfully realistic and creative film.
My review

Passion of the Christ (2004)
Whilst there are several troubling aspects of this film Mel Gibson did plenty of excellent work with this as well. The film looked incredible, and whilst it starved us of insights into Jesus's earlier life, the few scraps we were allowed certainly aroused our appetites for more. And as filmic meditations on the stations of the cross go, I doubt it will be surpassed.


Honourable mentions
There are a few films which I had to exclude, for various reasons, but which really deserve a mention.

Son of Man (1969)
Son of Man isn't really a film, it's the filmed version of a Dennis Potter play. Nevertheless it remains one of the strongest visual portrayals of Jesus to date. Colin Blakely portrays a Jesus with fire in his belly, who speaks in the language of normal people, but in a manner that makes his collision with the authorities inevitable. The Sermon on the Mount scene again is amazing, and deserves repeated viewings.

Life of Brian (1979)
This is excluded form the list becuase it isn't actually a film about Jesus (although he makes a brief cameo at the start). Instead it's about the folibles of religion, and of humanity in general. Life of Brian does what all good films do - be excellent at something. In this film's case its comedy is hilarious hwilst remaining thoughtful. As a result it has gained a dedicated following, and appears time after time in those "best of" programmes.

Jesus of Montreal (1989)
Jesus of Montreal is another satire, only this time the target is modern day Quebec. The film follows five actors as they put on a controversial passion play which and finds the life of the groups leader mirroring that of Jesus whom he plays in the film. Perhaps the strangest scenes at a first viewing, is actually one of the best - where Jesus wanders through the subway proclaiming God's judgement in the style of Mark 13.

Book of Life (1999)
Hal Hartley's film stars Martin Donovan as Jesus returning to earth on the eve of the new Millennium, and finding that his love for humanity conflicts with his mission. Another sharply observed satire which explores form as well as content.