
I've noted before that this film contains as much post-resurrection footage as practically any film, and that it focusses its attention on the more voluminous accounts in Luke and John. Harmonising the various accounts of the resurrection is a tricky business. Different gospels record different people arriving at the scene and omit the accounts found in the others.
Watching the resurrection scenes again at Easter I noticed three women who make fleeting appearances on the first Easter. We first encounter them as Mary rushes away from having met Jesus. The shot is so brief that I couldn't even to get a screen shot that wasn't blurred. Mary is rushing to get Peter and John to tell them of her discovery. The film diverts from John at this point, as in his gospel Mary rushes to get the disciples before she has seen the risen Jesus rather than after.

Since we have already been shown Mary Magdalene going to the tomb alone, then these three women must represent a combination of the other three women recorded as witnessing the resurrection - "Mary the mother of James, the other Mary and Salome". Most scholars would, I imagine, equate "the other Mary" with "Mary the mother of James", so it's unusual that they show three figures here rather than just two. But it's interesting how the film-makers make this visual allusion to the other two resurrection accounts, without going into the details.
This is probably because whilst the story is primarily seen through the eyes of Jairus's daughter Tamar, it also encourages the viewer to look at the story of Jesus, and, in particular, his resurrection, through the eyes of both Mary, and indeed Peter. Each of the three characters encounter the risen Jesus, and in each case we are shown the moment they see him and begin to realise what has happened through a point of view shot. To tell the story from the perspective of these women (in addition to that of Cleopas and Jairus) would, no doubt, be somewhat overbearing.
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