Young Avraham Movie to Première at Vancouver Jewish Film Festival

Over the years, I've become somewhat jaded about the seemingly endless flow of people telling us they are making new Bible-related films: all too often they are never heard of again. So I'm a bit surprised that of all of them, one that actually has gone the distance is Young Avraham.

As its title suggests, Young Avraham is a story of the early life of the biblical patriarch, from his childhood to the point where he appears in the Book of Genesis. It's based on Midrashic tales but with an eye firmly on 21st century sensibilities.

Anyway, whilst the film has been available on DVD for sometime now, it's having it's North American première on Sunday night (3rd April) as part of the Vancouver Jewish Film Festival.

I'm hoping my favourite Vancouverite Peter Chattaway, who had a good bit to say about this film when news broke in 2008, will make it to the screening as I'd like to hear what he has to say about it. Whilst I find the idea interesting, the medium doesn't really appeal. As I noted earlier in the week, 3D CGI dates pretty quickly, and is easy to do badly. Two of the four clips on the film's official website have been available on YouTube since August 2007 and, to be honest, don't look great. That said, I've seen worse and they do make me think that the film will be interesting. In the first we see Abraham's father being told to kill the boy by his king, echoing the request that God makes about Isaac many years later. The second contains a scene of a magus pointing out the presence of a new star coinciding with the boy's birth, echoing the star that accompanied the birth of Jesus. The latter certainly gets me wondering if this is a modern flourish, or something that's found in the account in the Midrash. Either way it's interesting. The former suggests this decidedly Jewish film riffing on the birth of Jesus. The latter would be highlighting the way Matthew is riffing on the birth of Abraham. The former seems unlikely, whereas I'm sure that I would have heard of this detail were it to be the latter. Time to do some research...

The Kingdom of Heaven

Not the Ridley Scott crusades epic, but an episode from the series The Animated Stories from the New Testament which I managed to pick one up cheaply from "The Works" at Christmas. The series has also recently appeared in my local Christian bookshop. Whilst my daughter has watched this entry a couple of times now, yesterday was the first chance I'd had to sit down and watch it with her.

The Kingdom of Heaven, directed by The Fox and the Hound's Richard Rich, is the 8th entry in the 24 part series and deals with Jesus' teaching on the Kingdom from Matthew 13. Thus we get enacted versions of the parables of the Wheat and the Weeds, the Merchant and the Pearl, and the 10 "Maidens" (Matt 25) as well as an explanation of the Parable of the Sower. This main section of the film is introduced and concluded by the same scene showing the return of of a glowing, Ready-Brek, Jesus, based on Matthew 25.

The most obvious criticism of this film, and I presume the series in general, is the filmmakers decision to use the King James Version of the Bible whenever Jesus speaks. This made it very difficult for my 4 year old to understand even the gist of what he was saying - despite the fact that she occasionally enjoys stories read straight from an adult Bible. To animate these stories, particularly using playful and appealingly animated characters, but to make the words they are saying (and the points of these parables) utterly impenetrable, seems rather foolhardy. I know that there are Christians who hold the King James version in very high regard indeed, but surely this is a case where, even for them, pragmatism should have triumphed idealism. That said, given the General Synod of the Church of England's failure to do the same in its recent vote on women bishops, perhaps it's me who is being too idealistic.

Whilst the animation is nothing special, it's competent enough and is reasonably in keeping with various other TV cartoons, though as it was made in 1991 it obviously predates CGI. There's a nice dissolve from the future return of Jesus introduction to the historical Jesus teaching to a largish crowd, but otherwise nothing too spectacular. The cartoon doesn't introduce wacky characters or gimmicks to get the story across, although it does personalise some of the crowd members and people in the parables.

The stories themselves are told in a reasonably straightforward fashion, but with the occasional obvious omission. Take for example the Wheat and the Tares. We're told that the weeds are thrown into fire, but just as someone is about to explain this part of the story they are conveniently interrupted.

Sometimes, however, telling the stories in such a straightforward fashion means that the viewer is no more informed than they were before, perhaps even more confused. Take for example the story of the 10 virgins. The parable is contextualised a bit, we meet the groom and 3 of the girls, but its far from clear why what happens to the 5 girls needed to. In reading the story we are aware of the strange cultural gap separating us from the parable's original context. But visualising it and drawing us into the characters creates more problems than it solves. The bridegroom is left turning away the 5 girls simply because they don't have enough light. They don't offer an explanation for their lateness / lack of light. He doesn't suggest they move a few feet closer so he can see their faces. The result is that the Jesus figure comes across as inflexible and mean. We're left thinking poorly of him, not the ill-prepared women.

That said, such visualisation can work in a positive way too. The Parable of the Merchant and the Pearl - told in a song, rather than in prose - really made me wonder what was it about the pearl that made the merchant sell up. There's a real contrast here with the man who discovers buried treasure. He makes a risky but sound investment. Who wouldn't have acted likewise? The merchant, on the other hand, presumably knew the comparative value of the various items, so unless the pearl's seller has undercharged him (which is certainly not stated or implied in the text) then he stands to gain very little, if anything, on a purely material level. The value the merchant assigns to the pearl is far higher than that of the majority. Perhaps it's irrationality, perhaps it's just an attachement that surpasses his physical needs, but whatever the explanation, he finds the pearl / the kingdom utterly compelling.

So whilst the decision to use the KJV cripples the series pretty severely, the film does produce a few new ways of looking at familiar gospel stories which is, of itself, something of great worth.

Testament: The Bible in Animation Finally Comes to DVD

Over the years I've made various posts about the short series of Hebrew Bible films Testament: The Bible in Animation. Whilst these short films have been available on Region 1 DVD for a while, potential purchases have had to buy them individually, putting pressure on shelves as well as pockets.

So I was really pleased to discover that the Bible Society has now made them all available on a 2 DVD box set. I can't seem to find out whether the set is region 2 or region 0, but hopefully I'll find that out fairly soon. The Bible Society never do these things by halves, so in addition to the nine films, there are also resource packs to download for teachers and church groups. The DVDs have subtitles, but seemingly no other extras.

The 9 titles are as follows (with links to my reviews where they exist)

* Episode 1: Creation and Flood (25 mins)
* Episode 2: Abraham (25 mins) - pictured
* Episode 3: Moses (27 mins)
* Episode 4: Jonah (26 mins)
* Episode 5: Ruth (25 mins)
* Episode 6: Elijah (27 mins)
* Episode 7: Joseph (26 mins)
* Episode 8: David and Saul (27 mins)
* Episode 9: Daniel (24 mins)

For those not familiar with the series, it was made by the same team who went on to create The Miracle Maker, and like that film they use a variety of different animated techniques across the series - although they stick to one technique per episode. Whilst the films certainly are suitable for children, they have a fairly grown up take on things - don't think for a minute that they are just for the kids - and the animated medium used is itself often very expressionistic.

Like any series some are better than others, though that's due in part to individual preferences about animation styles, but overall this is a great series,with certain instalments offering the best film interpretation yet of their particular story.

Lion of Judah-Another CGI Bible Film

2007's animated version of The Ten Commandments may have been something of a first, but it was only a matter of time before computer animated Bible films were popping up all over the place. FilmChat has news of another - the first CGI film to be made in South Africa in fact - Lion of Judah.

In comparison to The Ten Commandments it's taken on a somewhat easier task. That film was widely criticised for what was perceived to be substandard CGI. It's far more difficult to animate humans well with CGI than it is to animate animals (for example it wasn't until The Incredibles that Pixar used animated humans as the lead characters). So it's a wise move by the makers of Lion of Judah to focus on a story about a group of farm animals and the titular lion instead.

Unusually, that's just about as much information about the film's plot as there is on its official website. There may be a trailer, a guide to the characters, screensavers to download and a few other bits and pieces, but there's no mention of the fact that this is a film about the Easter story. At least, that's what the IMDb says. Indeed even articles in Variety and Cartoon Brew seem to skirt the issue.It looks like the film is trying to promote itself purely as a goofy animated movie with loveable animal characters, citing the odd known actor (Ernest Borgnine, Michael Madsen) along the way to appeal to the adults. I can see why that makes good marketing, although it may be that the publicists reveal more about the film's plot as we near the release date.

The one point that will interest Jesus film fans though will be the news that Bruce Marchiano of the Visual Bible's Matthew and Acts will be reprising the role of Jesus. Marchiano is, of course, still trying to raise funding to make his own word for word version of the Gospel of John. The Visual Bible films were filmed in South Africa by the South African director Regardt van den Bergh so I can't help wondering if there is a connection there somewhere.

Daniel Films Redux

Having discussed a number of films about Daniel earlier in the month, I've now watched a couple of those that I hadn't seen previously.

The Beginners Bible: The Story of Daniel in Lions' Den is a fairly standard cartoon aimed mainly at kids, albeit with the odd joke that might entertain adults. For example, during the incident with Nebuchadnezzar's dream in Daniel 2, one of the bewildered magi summarises his master's request as "You want us to tell you know what we know so you'll know that we know what you already know?" If shows the following episodes:

Nebuchadnezzar conquers Jerusalem - (Dan 1:1-2)
Daniel and friends in Babylon - (Dan 1:3-7; 18-21)
Nebuchadnezzar's dream - (Dan 2:1-49)
Belshazzar's banquet - (Dan 5:1-31)
Daniel in the Lion's Den - (Dan 6:1-28)

So it misses out the incident where Daniel and his friends request a special diet from Dan 1; The story of Shadrach, Meshach and Abednego (Dan 3); and the story of Nebuchadnezzar's madness (Dan 4). Given that the story is aimed at younger children these omissions all make some kind of sense. Trying to explain diet restrictions to younger children from another, ancient, culture is fairly difficult I imagine. Likewise introducing three other characters whilst Daniel is off screen might be distracting, and there's a fair bit of repetition in the telling of Nebuchadnezzar's second dream.

What's also interesting is the way that this cartoon is called The Story of Daniel in Lions' Den, but it's really a general account of Daniel in Babylon. The Lions' Den story only takes about a quarter of the total run time. The cartoon is fairly well animated, but offers very little insight for grown ups. (Which is obviously fair enough!)

VeggieTales: Daniel in the Lions' Den (on the Where is God when I'm S-S cared DVD) has much in common with the above cartoon. Again it's aimed firmly at kids, although it also includes the odd joke that adults might get more easily. I can't help feeling though that whilst all children will be entertained by this film, the story is more accessible to younger children in the Beginners Bible version. It's a play off because that version will probably not keep the attention of older children as this does however.

Like the Beginners Bible this programme contains scenes from Daniel's life other than the title story:

Nebuchadnezzar conquers Jerusalem - (Dan 1:1-2, 6)
Nebuchadnezzar's dream - (Dan 2:1-13, 25-30, 48)
Daniel in the Lion's Den - (Dan 6:1-28)

There are obviously fewer stories here, which partly reflects the shorter running time. The account of Nebuchadnezzar's conquest of Jerusalem is shorter still, just the briefest of prologues. The only other story included (other than that of the Lions' Den) is that of Nebuchadnezzar's first dream. Strangely, the content of the dream is never revealed or discussed. It simply forms the motive for the wise men who then plot against Daniel.

Despite the shorter running time the events from Daniel 6 take longer than in the above film, mainly due to it having more songs, and lengthy sequence where Daniel first enters the den.

I also made a few comments on the Daniel entry from the Testament: Bible in Animation series, which also admits the Shadrach, Meshach and Abednego, and compounds Nebuchadnezzar's two dreams into a single incident. Overall though it's the most complete animated account that I've come across.

The Ten Commandments (2007) - Review

Much of the early criticism of this year's The Ten Commandments has focussed on the animation quality which many reviewers consider to be below par. Whilst it may be true that the standard of the CGI here may not be quite up to the standard of Pixar's The Incredibles, overall I think the harshness of that criticism is a little unfair. The animation of people appears to be the hardest task in the world of CGI, and there are very, very few films which can hold a light to Pixar's family of superheroes. But the CGI in The Ten Commandments is comparable with the brief moments that humans enter the fishy narrative of Finding Nemo or the scary world of Monster's Inc., yet was achieved with a small fraction of those films' budget. The danger is that in demanding only the absolutely highest standards of CGI that this particular form of artistic expression is closed to everyone but the biggest two or three studios. Smaller filmmakers haven't got a change to compete. Twelve years ago Lars Von Trier and Thomas Vinterberg struck a blow for smaller filmmakers with their Dogme 95 manifesto. It seems a shame that twelve years later, to many critics' eyes, computer animation is only for the rich.

Given the amount of criticism levelled at the animation it surprising just how much visual creativity is on show in this film. Liberated from the technical restraints of cranes etc. the "camera" is able to swoop about indoors, produce some impressive backdrops, and get low and high angles that an actual camera would struggle to achieve. When Moses throws his staff to the ground in Pharaoh's palace its transformation into a snake is threatening shot from the floor. There are also a number of interesting dissolves.
It's also hard to imagine a live action film would be able to give the same prominence to the pillars of cloud and fire which lead the Israelites in the wilderness. They are present in the other films, of course. Cecil B. DeMille was never one to miss such an obvious opportunity for showmanship. But in a live action film, such a spectacle is just a bit too showy. In contrast, whilst the biblical account is certainly impressed by it's presence, it also implies that it quickly became the norm. Commandments captures the way that these pillars were reassurance of God's presence and leading, rather than simply divine pyrotechnics.

Films about Moses are, of course, so numerous, and so well known, that reference and homage are easy, but originality is difficult. Commandments has examples of both. Moses has died on screen before, but the film adopts an interesting approach. Moses's perennial thorn in the side Dathan is present once again, and here he even looks like Edward G. Robinson who played him in the 1956 film.

In some places, however, the "borrowing" perhaps goes a little far (here, as in The Prince of Egypt such as the crocodiles who snap at baby Moses's basket), but overall the various nods to the other films are fairly deft. That said, when the credits sequence uses animated hieroglyphics to highlight the increasing enmity between Moses and his cousin Ramsees, it's a clear reference to The Prince of Egypt's most impressive sequence, but it's also very effective in it's own right.
One of the things that is very different about this film is the wealth of material it manages to cover in such a short space of time. DeMille's gargantuan epic ran to 220 minutes, and still didn't cover as much of the story of the Exodus as this film does. At 88 minutes (including ending credits) this film is shorter even than The Prince of Egypt's 1 hour 39 minutes, and yet by avoiding silly sub-plots and distracting songs it covers far more material. In addition to the usual prologue, burning bush, plagues, exodus, and Ten Commandments, we're also treated to the stories of the water from the rock, manna and quails, and an extremely downplayed version of Aaron and Miriam's rebellion.

One of the things that will have attracted many of the film's viewers, are the big names that are providing the voices. Moses is played by Christian Slater in his least Nicholson-esque role yet, who is adequate rather than outstanding. But Ben Kingsley (who took the lead role in 1996's Moses) and Alfred Molina do well as the narrator and Ramsees respectively. Less impressive is Elliot Gould as the voice of God who seems to lack sufficient gravitas and kindness to really carry the role.
One unusual aspect of the film is the relationship between Moses and God. Whereas most of Moses's relationships are fairly conventional (enmity with an insecure Ramsees etc.,) Commandments breaks new ground by depicting Moses seeking out God and not just the other way around. When the Israelites complain that it's his fault they now have no straw to make their bricks with, he goes out into the desert to hunt out his Lord.

So whilst this is not a great film, and whilst the computer generated animation is not at the same standard as many of the big-budget productions, this is a reasonably solid telling of the story of Moses, which will be particularly appealing to younger children.

Friends and Heroes Coming to BBC2

Earlier in the year I was tracking the progress of the strangely addictive Friends and Heroes series. It seems like I'm not the only one who enjoyed the series (see my review) as the BBC has upgraded this to appear on BBC2 through the autumn. It's also got a regular weekly slot. There is a little more on this on the official website, but here are the dates and times. I guess this is also good news for those of us who are looking forward to series 2 and 3.

Testament: The Bible in Animation: Creation and the Flood

Evan Almighty is released in the UK today so I thought it was about time I added another post to my series on Noah films.

Creation and Flood is the first entry in the generally excellent Testament: Bible in Animation series by S4C (Wales) and Christmas Films (Russia). Like the similarly titled Bible Collection film Genesis: Creation and Flood (1994) the story of the creation of the world is told by Noah. The creation part of the story and the Noah part of the story use two different styles of animation which not only helps the viewer differentiate between the two interwoven stories, but also split the workload between S4C and Christmas Films. The creation part of the story was created by Christmas films using paint on glass whereas the story of the flood was filmed by S4C using cell animation.

The result is an interesting mix of animation styles although the difference between them is not quite as marked as in The Miracle Maker. As a result it suggests that the two events reflect only marginally different layers of reality.

Unfortunately, this is not one of the stronger entries in the Testament series, with the Noah section being particularly disappointing. There's very little sense of wonder, or desperation in this tale. By cramming it into a half of a thirty minute section there's very little space to develop the story - it never feels like 120 days aboard the ark - that said the similarly-lengthed Disney films are definitely more successful in this regard. Those films also established a trend in animated versions of the Noah story of skipping past the flood's death toll. Here there is at least some mention of it, but once the rains start to fall the rest of humanity is swiftly forgotten.

The creation section of the film is far more successful. The animation is far more impressionistic, at least in places, which makes for more interesting viewing. In particular, the creation of Adam of Eve is handled with great skill. The single figure of Adam somersaults across the screen but appears to land upside down. It quickly becomes apparent that this is a reflection, only for a ripple to destroy the image. When it reforms, the image is different. The camera lifts up to see that Adam has now been joined by Eve.

There's also an interesting treatment of The Fall. This is also very impressionistic. Although the animation is more solid the Genesis account is proceeded by an account of the fall of Satan based on Isaiah 14 and Ezekiel 28. When Satan does appear in the Garden of Eden, he alternates his physical form between a legged serpent and a floating mask.

Perhaps the most significant problem is that the way in which the creation and fall story is introduced disrupts the flow of the tale of Noah. This, combined with the lacklustre presentation of that story, means that by the end of the film, any interest in that part of the narrative has dissipated. Fortunately the Testament series survived its downbeat beginning and went on to achieve greater things.

Kingsley, Slater, Molina and Gould to Voice Animated Version of The Ten Commandments (2007)

My review of this film is now up, or you can read all my posts on this film.

What is it with the Ten Commandments at the moment? Last year saw Dougray Scott and Paul Rhys star in the new TV mini-series The Ten Commandments (2006). Then later in the year, a DVD was released of The Ten Commandments: The Musical featuring Val Kilmer reprising the role of Moses. Now this year we have The Margate Exodus lined up for a summer release, Dekalog spoof The Ten due in August and now another version of the Ten Commandments looks set to hit cinemas later in the year.

The imaginatively titled The Ten Commandments is an animated feature directed by Bill Boyce and John Stronach and produced by Promenade Pictures. Promenade's official website is still under construction, but there is a profile of the company here. It seems the names behind the company are former Paramount President Frank Yalbans and Cindy Bond who is producing this particular film.

The Ten Commandments will be the first of six bible themed CGI films known collectively as Epic Stories of the Bible. Curiously, the next entry will go back to the story of Noah with The Great Flood.

The film has certainly collected some acting talent to provide the voices. According to the IMDb, Ben Kingsley, who played the lead role in 1996's Moses, will narrate, handing on the part of Moses to Christian Slater. Alfred Molina will play the part of Ramsees, and Elliot Gould will provide the voice of God.

New Zealand Global Talent Community Kea have covered this story mainly looking at the success of of the animators for this project Huhu Studios. According to them at least, this film is based on DeMille's 1956 epic of the same title. Edit: Director Bill Boyce comments below that this film will not in fact be based on DeMille's film hoping instead to "portray a humble, human Moses".

I'll post more on this as it becomes available.

Friends and Heroes (Review)

Bible stories have always been a popular target for animators, going right back to Disney's early Noah's Ark short. The new Friends and Heroes series continues this tradition which has had it's fair share of highs and lows. Its approach is relatively novel. Instead of focussing directly on the characters from the Old and New Testaments, the biblical narratives are introduced into a series of stories about the fictional characters Macky and Portia. Macky is a young Jewish Christian living in Alexandria, Egypt, in the first century A.D. He has a chance meeting with Portia, who turns out to be the niece of the governor of Alexandria, Tiberius.

Whereas some of the more recent animated bible stories, such as Testaments, have been aimed at all the family, Friends and Heroes is pitched specifically at children. Macky and Portia are just a little older than this target audience, and it's easy for children to relate to them and be inspired by their exciting lives. They are brave and resourceful, but they are not superheroes. Children can aspire to be like them rather than simply be entertained by them.

However, what this series does do well is balance the need to create engaging plots whilst retaining a sense of realism. Locating the story in the first century helps in this respect, as there were hazards facing children then that most children in the 21st century western world are unlikely to come up against. But many of the perils that they and their friends face are not so far detached from those of today.

A classic example is episode 7, where Macky's sister Leah wanders off and gets lost. But rather than rushing headlong into some far fetched tale, it moves, with perfect pacing, through increasing degrees of danger, maximising the impact of each one. Most children will be able to relate to the fear being lost and being without their parents, and the episode takes time to explore this. But is also moves on to look at forced child labour - unlikely to effect the target audience, but still a reality for many of their contemporaries in other parts of the world. The result is that the episodes are engaging, and exciting, yet at the same time touching and personal.

Such disciplined, well thought out, pacing is also in evidence in the way that the biblical stories are introduced. Just when the attention spans of the younger audience members might begin to wane, a new story is introduced and, crucially, it's in a new animated medium - 3D CGI. This gear change both draws the audience back in, but also highlights the importance of these stories in their own right. They sit both within and without the Macky / Portia narrative. Important stories in their own right, but tales that should not just entertain, but be digested and applied. As Macky and family are applying them to their situations, it encourages the audience to do likewise.

Yet thankfully these are not dogmatic, overly moralising cartoons. In times gone by, children's programmes often ended with one of the characters spelling out the moral, in a way that even when I was young felt like it cheapened the programme as a whole. Here the biblical stories are shown, and characters are shown applying them to their lives, but it is left up to the audience what they do with that example.

From a technical point of view, the 2D animation is of a very high standard. Bright colours and quirky characters are complemented by vivid , smooth animation. The quality of the 3D sections of the show doesn't quite attain such high standards, but it should be borne in mind that 3D CGI is still very much an emerging medium. Whilst the 3D work here is not quite up to the high standards set by Pixar (specifically in The Incredibles) it still works well in the short bursts it is used for. Finally, the music is catchy and the dialogue is generally solid.

More information on Friends and Heroes

Following up from last month's post about the new BBC animated adventure series Friends and Heroes, more details have become available, and as the first episode airs in just 4 days (Monday), I thought it was about time I made some more comments. I'll review the episode I was sent as a screener tomorrow.

First of all the broadcast details(with video plus codes) have been announced as follows:

Ep 1: Monday 12th March @ 12:00 noon
Ep 2: Monday 12th March @ 12.30pm
Ep 3: Tuesday 13th March @ 12.30pm
Ep 4: Wednesday 14th March @ 12:00 noon
Ep 5: Wednesday 14th March @ 12.30pm
Ep 6: Thursday 15th March @ 12.30pm
Ep 7: Friday 16th March @ 12.30pm
Ep 8: Monday 19th March @ 12:00 noon
Ep 9: Tuesday 20th March @ 12.30pm
Ep 10: Wednesday 21st March @ 12:00 noon
Ep 11: Wednesday 21st March @ 12.30pm
Ep 12: Thursday 22nd March @ 12.30pm
Ep 13: Friday 23rd March @ 12.30pm

Secondly, it's clear that this project has a good range of talent involved. Gary Kurtz (producer for the original Star Wars and The Empire Strikes Back) is named as the "Supervising Producer". Kurtz has been doing animation for the last 15 years. Other established names are composers Karl Twigg and Mark Topham, who have written a number of UK chart hits for bands such as Steps, Five and Westlife.

It's also really encouraging to see Naomi Jones involved. Jones was involved with the brilliant Testament: Bible in Animation series, as well as The Miracle Maker, one of my favourite Jesus films.

And then there's Stan Berkowitz who has worked on recent animated versions of Superman and Batman. There are various other names associated with the project, although the only one I really know is Stephen Gaukroger a regular speaker at the Spring Harvest conference over here in the UK.

Away from the names and back to the project. As mentioned previously this is the first of three series, and the opening episodes introduce the main characters (Macky and Portia) to us and to each other. Macky is from a family of first century Jewish Christians, whilst Portia is the niece of the Governor of Alexandria - Tiberius.

It's Tiberius's meteoric rise that allows each series to take place in a different city. Tiberius's promotion to leader of the siege of Jerusalem moves the action for series two to the heart of Judea, and finally his move to Rome provides the setting for the third series. So there will be something in this for Roman history buffs too (although how accurate a depiction of Tiberius it will be remains to be seen).

One final point. The animation will be a mix of 2D and 3D, with the 2D animation making up the majority of each episode, and the 3D being introduced for the sections where the biblical stories are narrated. This is an interesting technique. The use of 3D suggests that these stories are more real than those in 2D, but the way they are narrated stresses the importance of them being stories that are owned and identified with, rather than just stories for the sake of it.

Children's Bible Programme Friends and Heroes to Air on BBC

Mark Goodacre posts about a new BBC TV series dealing with Bible stories for children. According to Christian Today Friends and Heroes will start on the 12th March on CBBC (Children's BBC). It will show either once or twice a day starting at either noon (if 2 episodes) or 12:30pm (if only one episode).

The official Friends and Heroes website describes the series as follows:

Friends and Heroes is the epic animated tale of two young people in the First Century - Macky and Portia - whose idealism and friendship leads them across the ancient world, from the fabled Egyptian port of Alexandria, to the besieged city of Jerusalem and finally, to the very heart of the Empire: Rome. As they fight for justice and even survival against the might of the Roman Empire, they become friends and then, in turn, heroes.

Through Macky and Portia, Friends and Heroes brings the inspiring stories of the Old and New Testament to a new, worldwide generation of children in the Twenty-First Century, whatever their faith or background.

The 13 episodes will be broadcast on weekdays between March 12 and 23, sometimes twice a day, starting at 12 noon and 12.30pm, or in single episodes starting at 12.30pm. The series will form part of the BBC's factual output on CBBC which is also used by schools. The website also has an intro video, a making of featurette as well as an episode guide which I've summarised below. These 13 episodes are only the first of three series which combine 2D and 3D animation. Each episode is 26 minutes long.

Episode 1 - Daniel in the Lions’ Den, The Miraculous Catch of Fish
Episode 2 - Samson and Delilah, Peter and Cornelius
Episode 3 - David and Goliath, Peter released from prison
Episode 4 - Rahab and Caleb, Peter raises Tabitha
Episode 5 - Gideon, The Christmas Story
Episode 6 - Moses and the Egyptian, Paul on the Damascus Road
Episode 7 - Ruth and Naomi, The Good Samaritan
Episode 8 - Peter and John healing people, Shadrach and the Furnace
Episode 9 - Esther, Joseph of Cyprus (Barnabas)
Episode 10 - Joseph and his Brothers, Simon Magus
Episode 11 - The Burning Bush and the Exodus, The Last Supper
Episode 12 - Jonah, The Prodigal Son
Episode 13 - Elijah and King Ahab, The First Pentecost

There's quite a bit there, and I'm encouraged that there are a number of lesser known stories included as well as some of the classics. It seems like the characters will be involved in their own adventures in the 1st Century, but the biblical content will be recounted by stories. It's aimed at 6-10 year olds so it will be interesting to see how they deal with the stories. It's noticeable that stories where God/Israelites kill lots of people have been avoided (although that may figure in some - time will tell. This I think is a better approach than that of the Veggie Tales series (where the fate of the enemies are things like perpetual tickling, and thus process of concealing the difficult passages in scripture starts at a young age).

Edit: My review for this series is now available.