Tuesday, July 22, 2008

Quo Vadis Coming to DVD

Peter Chattaway has the news that 1951's Quo Vadis is finally getting a DVD release. The film, which is the most famous of at least 8 different adaptations of Henry Siekiewicz's novel, is due for release to DVD in November, with a Blu-Ray edition due in time for Easter 2009.

In addition to being the most expensive film ever made at the time of its release, Quo Vadis is famous for Peter Ustinov's startling performance as Nero, and for giving film débuts to two of cinema's most iconic stars - Elizabeth Taylor and Sophia Loren.

A press release from Warner Home Video promises a new documentary on the making of the film and a commentary by filmmaker/writer F.X. Feeney. I'll post more details as I get them.

Sydney's Stations of the Cross

For some reason I seem to be writing about the Pope a lot recently, firstly the conference on his book in Nottingham here and then the celebration of Paul's 2000th birthday). His recent trip to Australia has also been in the news quite a bit, and whilst there he presided over a celebration of the Stations of the Cross for World Youth Day, Sydney.

The official website for 'WYD SYD 08' has posted 20 minutes of highlights of the event which presents some creative and some bizarre sequences. The shots of Jesus across the crowd taken over Pilate's shoulder have an iconic power about them, but they are intercut with some odd footage of Jesus being hung upside down after his whipping. Even fellow Australian Catholic Mel Gibson didn't think of that one!

Overall it seems fairly well done. Logistically these events always present huge challenges, and the organisers seem to have done a good job of heightening the power of the images by incorporating Sydney's major sites into the background of various scenes. The sight of Jesus dragging his cross in front of the Sydney Opera house, or him being crucified against the backdrop of Sydney Harbour Bridge (above) is quite striking.The accompanying music is an unusual blend of traditional church music, modern orchestration, and more contemporary music which, again, incorporates traditional elements such as the didgeridoo. In places the music is soothing, but often it's edgy, disturbing and uncomfortable listening - all in all quite powerful. There's the odd off moment, but overall it's bold and greatly enhances the production.

One thing that's interesting about the highlights is its sensitivity to the anti-Semitism issue. It's hard to tell whether this was a feature of the event, or just how the online footage has been edited, but the appearance in front of the Jewish authorities is almost non-existent. Furthermore, because Jesus's road to the cross has been transformed into a trip along the harbour on a barge, there's no Jewish crowd to approve and support what is going on.

Thanks to Brendan O'Regan at FaithArts for the tip off. Brendan also informs me that Jesus is played by Australian actor Alfio Stuto and finds echoes of Olivia Hussey's turn in Jesus of Nazareth in the portrayal of Mary.

Monday, July 21, 2008

'Judith' Calls for Aberystwyth to Lift Life of Brian Ban

BBC Wales has a great story on former Life of Brian star and current Mayor of Aberystwyth, Sue Jones-Davies. It appears that even though Jones-Davies has served on the town's council and has become its mayor the region's ban on the film is still in place almost 30 years after its initial release. The BBC quote her as saying "Given what's on TV now I think it's amazing a ban in Aberystwyth still exists...I think it should be lifted". Whilst the Beeb's article makes it sounds like she's running a campaign on it, reading between the lines it seems far more likely that someone simply asked her a question about it to which she responded. Nevertheless there are some interesting recollections about making the film in the article.

Jones-Davies, of course, played Brian girlfriend, Judith, in the film. I re-watched the film recently and was amazed that I'd never before realised how pivotal Judith's character is in the movie's narrative. We first meet her right after the Sermon on the Mount, and the first shot is a close up on Judith which is accompanied by music suggesting some kind of romantic awakening. It's only after a cut to a wider shot that we see the rest of the group and Francis offers his "blessed is just about everyone with a vested interest in the status quo" remark. Brian turns around to stare at the group, but it's clear that his gaze is on her specifically rather than the group as a whole.

When Brian sees Judith again, with the PFJ, it's a zoom shot over Brian's shoulder. Brian goes over to join, and again his gaze is on her, and the point is underlined by two close ups on her to complement the wider group shot of the five of them.So it appears Brian is motivated mainly by impressing Judith as opposed to some passionate nationalism. There is of course Brian's anti-Roman speeches, but it's likely that most Jews of Brian's day would have similar feelings, without joining 'radical' groups such as the PFJ. However, contrast Brian's passive acceptance of Jesus's sermon with the reactionary criticisms from the PFJ, and, of course, the fact that he is employed in the Roman amphitheatre. It's significant that Brian first expresses his dislike of the Romans only after his contact with Judith.

And these hints continue as the film progresses. For example, after Judith and Brian are reunited after his "you're all individuals" speech. Judith runs towards him exclaiming "Brian, you were fantastic". She is referring to his speech, but he mistakenly thinks her praise refers to their sexual liaison the night before. It's a joke of course, but evidence that, as Mrs Cohen astutely observes early in the film, sex is the main thing on Brian's mind.

So, structurally at least, the film is about boy meets girl. And their relationship, and in many ways the film's narrative arc, ends as she joyously runs off having congratulated him on his crucifixion. She's glowing with pride at his martyrdom; he just wants her back. As she disappears into the distance her image is replaced by that of his mother - the final interchange before Idle's famous closing song - and the 'boy meets girl and leaves mother' story has come, depressingly, full circle.

There's obviously a lot more going on than that, and it's difficult to take isolated lines (like the one above) too seriously, but once you notice it, it's clear that it's Brian's feelings for Judith that really drives the story.

Incidentally, I stumbled across this great selection of Monty Python photos in writing this piece, which include a good number of the film's promotional pictures. There are also some better quality photos at DVD Beaver and the Criterion Contraption's review of the Criterion Collection DVD.

Friday, July 18, 2008

Also Available in Suomi...

I don't imagine that this will be of interest to most of the readers of this blog, but the piece I wrote on Jesus films for rejesus on Jesus in the Movies has been translated into Finnish. It's the work of the Helsinki Lutheran Parish Union's young adults’ team and is part of their ongoing exploration of faith and film. Hello to anyone who has found this site through that one.

Thursday, July 17, 2008

The Anti-Mary in The Passion

I received a number of interesting comments on my podcast on The Passion of the Christ, but there was one in particular that I've been meaning to mention here, as it's not something I've heard talked about elsewhere. Scott Knick made this point:
More interesting to me is the very high Mariology of the film, particularly in light of its passionate acceptance by American conservative Protestants. This movie is almost as much about Mary as it is about Jesus. The provocative image of the female Satan carrying the deformed, leering baby quite clearly positions Satan not as the Antichrist but the anti-Mary. That’s elevating the figure of Mary pretty darned high in the Christian cosmology, something I’ve never seen in a Jesus movie, and yet you never hear a peep about it in most commentary on the film.
It's interesting that whilst both that particular scene, and the film's generally high Mariology (her sensing Jesus through the floor for example) have both been talked about at length that the two have rarely been put together.

There are a few further points I'd like to make here. Firstly, whilst the Satan character is meant to be androgynous, the role is performed by a woman, perhaps also emphasising this point. Secondly, it's interesting that Mary Magdalene is portrayed as a follower of Mary as much, if not more, than she is a disciple of Jesus. Yes, there's the scene where she crawls towards him to touch his feet, but the film gives no indication of any relationship between the two, whereas the two Marys are clearly very close. In a way Mary Magdalene corresponds to the only one of Jesus's followers to remain faithful throughout the film - John. Whilst this is, I suppose, largely based on John's gospel, the link between the two Marys is certainly heightened. Jesus has a disciple, Mary has a disciple. I doubt that's what Gibson intended, but there's perhaps something in it.

Having said all that, it's unclear from scripture who or what the anti-Christ actually is, so equating he/she/it with Satan is certainly not a given. There's a modern tendency to picture Satan as the opposite of God, whereas he is nothing of the sort. So making Satan the anti-Mary rather than the anti-Christ could theoretically be about emphasising the lowliness of Satan's status rather than heightening Mary's. Nevertheless, this is certainly one aspect of the film I'll be watching very closely next time I watch it. I remember a number of shots from Mary's point of view and I'd be interested to see how these compare to those from Jesus's vantage point.

Monday, July 14, 2008

Wittenburg Door's "10 Worst Movies About Jesus"

Danny Gallagher of The Wittenburg Door has posted an article on the Ten Worst Films About Jesus. Full marks for an eclectic selection; it ranges from classic epics to modern-day horror flicks. And there's no doubting that it's a bold list. Whilst the inclusion of Pasolini's Gospel According to St. Matthew is highly questionable, Gallagher is fully aware of its prestigious reputation, and even those of us that admire have probably had a hard time convincing others of its value.

The full list (which excludes The Passion of the Christ because "that would be too easy") is:
The Robe
Jesus Christ, Vampire Hunter
Jesus, the Mini Series
Zombie Jesus!
In Search of Historic Jesus
The Lawton Story (aka The Prince of Peace)
Gospel According to St. Matthew
Ultrachrist!
The Miracle Maker
The Davinci Code
I found Gallagher's comments on these films to be generally amusing, even when I disagreed with them, and there are some useful links to excerpts on YouTube.

I've actually only seen five of the ten having not watched Jesus Christ, Vampire Hunter, Zombie Jesus!, In Search of Historic Jesus, The Lawton Story (aka The Prince of Peace) and Ultrachrist! but only The Lawton Story holds any appeal. In Search of Historic Jesus seems to be just one Jesus documentary amongst many, and the others are only really about Jesus in name only. Rather worryingly, my own top ten includes 3 of the 5 films on this list that I have seen!

Script Reviews for Kings (NBC)

David W. Dunlap/New York Times

There are a few bits and pieces to report on the forthcoming NBC drama Kings. Firstly NBC's latest schedule has the show lined up for the 10pm Sunday slot in Winter 2009. It also has it lined up for possible "encores" next summer. What's unclear is how long Kings' initial broadcast will be. Reuters are claiming that the whilst this was originally just a two-hour pilot, "NBC decided to proceed with a full series order after executives saw (some) footage".

There are also two script reviews by industry insiders Brian Ford Sullivan and James Hibberd. Sullivan is left "confused" by the programme's alternative universe, although he does admire its ambition. Hibberd is more positive, although rightly cautious until he's seen what the director does with the script.

Lastly, David Dunlap reports on the filming of a scene incorporating the Columbus Monument.